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Fuji
Negative Film Super F 64 D |
| For
daylight shots |
Exceptional
sharpness, remarkably fine grain, exceptional gradation, natural colour
reproduction.
Technical
specifications |
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Fujicolor
Negative Film ETERNA Vivid 160 |
| An
evolved version of ETERNA series' Super Efficient DIR-Coupler Technology
promotes adhesion and separation of colors, creating a rich, translucent
palette. |
|
It
produces balanced, attractive skin tones and grays across a wide
range of exposure conditions.
Technical
specifications
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Fujicolor
Negative Film ETERNA 250 |
Tungsten-type
film with Super Nano-structured
Grain Technology effectively boosts sensitivity while producing exceptionally
fine grain. The automatic choice for a variety of scenes and situations. |
|
Optimization
of orange mask density enhances scanning characteristics, creating
clear prints during in the telecine transfer.
Technical
specifications
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Fujicolor
Negative Film ETERNA 250 D |
| For
daylight, fluorescent, tungstens, and mixed lighting. Wherever the
scene, whatever the demands, at dawn or dusk or unusual light sources,
these are unique abilities of the negative cine film. |
|
With
Super Nano-structured
Grain Technology. Finer, tighter grain, a rich, smooth tonal scale,
more natural color reproduction, superb sharpness, assuring minimal
noise in the telecine transfers.
Technical
specifications
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Fujicolor
Negative Film ETERNA 400 |
A new high-speed tungsten-type motion picture color negative film
with Super Nano-structured
Grain Technology with expectionally fine grain, producing a high-quality
finish in a variety of scenes and situations. |
Extended linear response and exceptional color balance minimize the
need for color adjustment during telecine transfer.
Technical
specifications |
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Fujicolor
Negative Film ETERNA 500 |
It
is the first color motion picture film to feature Fujifilm's proprietary
Super Nano-structured
Grain Technology. |
A
new high-speed tungsten-type motion picture color negative film with
expectionally fine grain.
Technical
specifications |
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Fuji
REALA 500 D |
| The
world's first high-speed daylight-type motion picture film. Effektive
for shooting production that makes heavy use of HMI lighting, for
high speed (slow motion) cinematography, stopped-down zoom lenses
and also underwater shoots. Outstanding performance in mixed-lighting. |
New
4th Color Layer emulsion technology for natural, faithfull color reproduction,
smooth, lifelike skin tones, remarkably fine grain, excellent sharpness,
ideal for conversion into digital image data.
Technical
specifications |
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Fujicolor
Intermediate Film ETERNA-CI |
| 16
and 35 mm |
| A
high-definition, ultra-fine grain intermediate stock designed for
making color master positives by printing from original negatives
or making duplicate negatives by printing master positives on ETERNA-CI
material. This intermediate stock is designed with special emphasis
on exact reproduction of the gradation, color balance and sharpness
of originals. |
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Fujicolor
Recording Film ETERNA-RDI |
| 35
mm |
| It
is the first film stock designed specifically for use in the digital
intermediate workflow. It is designed to reproduce all the fine detail
images. ETERNA-RDI has the ability to record the rich range of detail
that characterizes digital images. Duplicate prints, produced from
ETERNA-RDI on improved ETERNA-CI intermediate stock, are also characterized
by superb color and sharpness. |
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Fujicolor
Postive Film F-CP |
| 16
and 35 mm |
| Sustained
image quality and improved stability over a period of decades. New
structure without carbon backing. The antistatic, scratch-resistant
and halation-free characteristics of the film and the crystal clear
base material ensure optimum perfomance and storage properties and
- even more importantly - reduce costs and minimize energy consumption
in the laboraty. FUJICOLOR F-C boasts natural colour reproduction
and excellent gradation balance across the entire range of grey tones. |